Culture/Power/History: A Reader in Contemporary Social Theory
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- 1994
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The intellectual radicalism of the 1960s spawned a new set of questions about the role and nature of 鈥渢he political鈥 in social life, questions that have since revolutionized nearly every field of thought, from literary criticism through anthropology to the philosophy of science. Michel Foucault in particular made us aware that whatever our functionally defined 鈥渞oles鈥 in society, we are constantly negotiating questions of authority and the control of the definitions of reality. Such insights have led theorists to challenge concepts that have long formed the very underpinnings of their disciplines. By exploring some of the most debated of these concepts—鈥渃ulture,鈥 鈥減ower,鈥 and 鈥渉istory鈥—this reader offers an enriching perspective on social theory in the contemporary moment.
Organized around these three concepts, Culture/ Power/History brings together both classic and new essays that address Foucault’s 鈥渘ew economy of power relations鈥 in a number of different, contestatory directions. Representing innovative work from various disciplines and sites of study, from taxidermy to Madonna, the book seeks to affirm the creative possibilities available in a time marked by growing uncertainty about established disciplinary forms of knowledge and by the increasing fluidity of the boundaries between them. The book is introduced by a major synthetic essay by the editors, which calls attention to the most significant issues enlivening theoretical discourse today. The editors seek not only to encourage scholars to reflect anew on the course of social theory, but also to orient newcomers to this area of inquiry.
The essays are contributed by Linda Alcoff (鈥淐ultural Feminism versus Post-Structuralism鈥), Sally Alexander (鈥淲omen, Class, and Sexual Differences in the 1830s and 1840s鈥), Tony Bennett (鈥淭he Exhibitionary Complex鈥), Pierre Bourdieu (鈥淪tructures, Habitus, Power鈥), Nicholas B. Dirks (鈥淩itual and Resistance鈥), Geoff Eley (鈥淣ations, Publics, and Political Cultures鈥), Michel Foucault (Two Lectures), Henry Louis Gates, Jr. (鈥淎uthority, [White] Power and the [Black] Critic鈥), Stephen Greenblatt (鈥淭he Circulation of Social Energy鈥), Ranajit Guha (鈥淭he Prose of Counter-Insurgency鈥), Stuart Hall (鈥淐ultural Studies: Two Paradigms鈥), Susan Harding (鈥淭he Born-Again Telescandals鈥), Donna Haraway (鈥淭eddy Bear Patriarchy鈥), Dick Hebdige (鈥淎fter the Masses鈥), Susan McClary (鈥淟iving to Tell: Madonna’s Resurrection of the Fleshly鈥), Sherry B. Ortner (鈥淭heory in Anthropology since the Sixties鈥), Marshall Sahlins (鈥淐osmologies of Capitalism鈥), Elizabeth G. Traube (鈥淪ecrets of Success in Postmodern Society鈥), Raymond Williams (selections from Marxism and Literature), and Judith Williamson (鈥淔amily, Education, Photography鈥).