快色直播

Adjusting to pandemic life in the past two years, we鈥檝e learned new ways to live, work, innovate, and flourish. Despite uncertainty, we鈥檝e done great things, shown abounding resilience and creativity. In 2021, even with continued disruptions to normal life, social relations, supply chains and workplaces, we鈥檝e remained intact. The past year has been challenging, but 快色直播 has pressed on, fulfilling its mission and serving its community. Evidence of that commitment is the splendid array of our recently published and upcoming books, and the brilliant work of our book designers and artists. Leveraging their talent on topics ranging from mushrooms to material technologies, animal dreams to dreams of the future, the secret body to the secret syllabus, and good sailing to bad thinking, they鈥檝e shown no lack of imagination or craftsmanship.

Here, in their own words, our in-house designers and art directors reflect on their favorite PUP covers of the year.

Things Fall Together: A Guide to the New Materials Revolution

Designer: Chris Ferrante

CF: In this book, Skylar Tibbits, founder of the  at MIT, explains the core principles of active and programmable material technologies. The book鈥�s title is a play on a common colloquial definition of entropy (鈥渢hings fall apart鈥�) and evokes the concept of self-assembly. Since the book is as much about science as design, it was important for the cover to communicate that intersection, visually conveyed in part by the black-and-white color palette and diagrammatic style of the illustration. I created a simplified, isometric rendering of 鈥攁 project which demonstrates how a utilitarian object can be formed by autonomous assembly in complex and uncontrolled environments (water, air, space, etc.). The front cover features the six parts of the chair arranged as if 鈥渇alling together鈥� (or randomly tumbling in a tank of water), while the fully assembled chair is included on the back cover. The typeface I chose is , which has notches in the corners of letterforms that鈥攊f imagined as three-dimensional鈥攃ould be inserted into each other to form structures not unlike the self-assembling chair.

Uncivil Mirth: Ridicule in Enlightenment Britain

Designer: Felix Summ

FS: Uncivil Mirth is the first cover I designed at 快色直播 and it is also my favorite cover that I designed in 2021. It was a joy to research work by the artists William Hogarth and Thomas Rowlandson in order to create the cartoon collage. The typography, set in Adobe Garamond, is meant to be reminiscent of letterpress books and pamphlets from eighteenth-century Europe. My favorite part of the cover is actually a portion of the cartoon that wraps around to the back cover to reveal a lone character laughing to himself.

The Secret Body: How the New Science of the Human Body Is Changing the Way We Live

Designer: Heather Hansen

HH: The Secret Body reveals the invisible, secret universe within each of us. It is a gripping drama of discovery and a landmark account of a revolution in human health. Bill Bryson, author of The Body: A Guide for Occupants, endorses the book as 鈥渁 perfect blend of cutting-edge science and compelling storytelling.鈥� That description is evoked in the cover image, which features a scanning electron micrograph of a human immune cell鈥攔endered in stunning color, making the invisible visible. We see the cell in action, larger than life, poetically blooming as the story and science of human health open up to us. The large title in aims to give the cover the feel of a novel, capturing the narrative quality of the book. At my local bookstore, Kepler鈥檚 快色直播 in Menlo Park, California, the book is featured face out on the science shelves, an invitation to read about the magic inside each of us.

Delicious: The Evolution of Flavor and How It Made Us Human

Illustrator: Natalya Balnova
Art Director & Designer: Jess Massabrook

JM: The design challenge here was how to show the evolution of food without showing the clich茅 rendering of a primate evolving into a human. In discussion with the illustrator, Natalya Balnova, I suggested that we use a number of different tools associated with eating鈥攚hether the materials used to cook or the utensils humans have used to feed themselves. From there, Natalya came up with a composition that included all those things, plus a couple of animals and foods with a blank space for the type. Once the illustration was done, it was a matter of setting the type in a way that felt like a natural fit within the space and was also eye-catching in its own right while letting the illustration do much of the work of explaining what the book is about.

American Afterlives: Reinventing Death in the Twenty-First Century

Designer: Karl Spurzem

KS: Of all the reasons I like this cover, I鈥檓 featuring it here because it was just fun to make. I wanted to experiment with a handmade shrine or memorial, in keeping with the stories in the text鈥攕omething personal and idiosyncratic and made with care. The artwork started as a collage of objects featured in the book that I painted digitally in Procreate. The layout was inspired by that classic tombstone arch shape and the first edition cover of Slaughterhouse-Five. Thankfully, when I presented my nearly illegible and intensely pink sketch alongside some (very!) different designs, the team liked it enough to let me repaint and refine it. Now it鈥檚 one of my all-time favorite projects. Maybe I鈥檓 being sentimental, and maybe that鈥檚 all part of the concept too.

When Bad Thinking Happens to Good People: How Philosophy Can Save Us from Ourselves

Designer: Amanda Weiss
Art Director: Maria Lindenfeldar

ML: After several attempts to use an image for this cover, we chose two lines from the book to serve as the 鈥渁rt.鈥� The orange and red color scheme (high chroma but low contrast) allowed us to make the type bigger than the white title/subtitle/author group. I like that the hot color and minimal design combine to feel like a warning sign.

Naturalized Parrots of the World: Distribution, Ecology, and Impacts of the World鈥檚 Most Colorful Colonizers

Designer: Wanda Espa帽a

WE: This cover design came easily to me once the image was approved. I knew I wanted to find an arresting photo of a parrot, and once I found the image of a rose-ringed parakeet, it just felt right. I love the way the bird seems to be interacting with the viewer鈥攖he fine feather details are so striking. Design-wise, I simply extended the background color above the parakeet鈥檚 head in order to place the elegant title right above.