快色直播

鈥淭he first thing I recognize as the beginning of a poem,鈥� writes Richard Pevear, 鈥渋s a distinct rhythm, not only of stress but of movement. Once I hear it, I can find words for it. But the essential thing, finally, is simultaneity鈥攖he completion of a shape, a thought, an emotion, a figure, all at the same time. The Trojan War, the figures of Greek tragedy, certain elements of the Gospels, the stories of Malory, are parts of my personal language.鈥�

Originally published in 1978.

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