Are literary critics writers? As Michael Wood says, 鈥淣ot all critics are writers鈥攑erhaps most of them are not鈥攁nd some of them are better when they don’t try to be.鈥� The British critic and poet William Empson (1906鈥�84), one of the most important and influential critics of the twentieth century, was an exception鈥攁 critic who was not only a writer but also a great one. In this brief book, Wood, himself one of the most gifted writers among contemporary critics, explores Empson as a writer, a distinguished poet whose criticism is a brilliant literary performance鈥攁nd proof that the act of reading can be an unforgettable adventure.
Drawing out the singularity and strength of Empson’s writing, including its unfailing wit, Wood traces the connections between Empson’s poetry and criticism from his first and best-known critical works, Seven Types of Ambiguity and Some Versions of Pastoral, to later books such as Milton’s God and The Structure of Complex Words. Wood shows why this pioneer of close reading was both more and less than the inventor of New Criticism鈥攎ore because he was the greatest English critic since Coleridge, and didn’t belong to any school; and less because he had severe differences with many contemporary critics, especially those who dismissed the importance of an author’s intentions.
Beautifully written and rich with insight, On Empson is an elegant introduction to a unique writer for whom literature was a nonstop form of living.
"Wood's On Empson offers the most fluent guidance imaginable to the genius and the ingenuity of the man."鈥擠avid Bromwich, New York Review of 快色直播
"There couldn't be a more seductive partnership: Wood鈥檚 sidelong, subtle sentences, both understated and exhaustive, reflecting on Empson鈥檚 brisk and thrilling originality. Returning to Empson is always a pleasure, but so too is watching Wood read."鈥擣rances Wilson, Times Literary Supplement
"The trick of Wood's book is to subject Empson鈥檚 work to the same kind of collaborative, close reading to which Empson subjects Shakespeare, Milton and Donne. In its most enthralling passages, Wood鈥檚 own writing participates in Empson鈥檚 critical creativity, providing an additional layer of interpretation, and constructing a critique of critique itself."鈥擠avid Hawkes, Times Literary Supplement
"A brilliant introduction to one of the most original and beguiling intellects of the 20th century."鈥擬ichael Dirda, Washington Post
"An elegant and concise study of the great British literary critic William Empson (1906-1984). . . . If we come away with one thing from On Empson, it is the reminder, in the age of STEM courses, of just how much poetry matters鈥攎atters not on ethical or political grounds but simply for its own sake, for its exposure of the possibilities of the language that we use every waking moment of every day without taking into account its astonishing possibilities for knowledge, power, and, especially, pleasure."鈥擬arjorie Perloff, Weekly Standard
"Part of the dexterity of Wood's own critical idiom lies in using the resources of the colloquial register to say just enough, leaving us to complete and digest the thought. His stylish brevity avoids the dogmatising implicit in all attempts to turn an observation into a theory . . . Wood even manages to make Milton鈥檚 God (1961), Empson鈥檚 grumpiest, most obsessive book, seem attractive . . . An appropriately subtle yet spirited introduction to the seductive power of a particular form of literary criticism."鈥擲tefan Collini, The Guardian
"An excellent introduction to a figure whose legacy we still haven't quite worked out how to use . . . a mellow and appreciative study, rich in casually enlightening phrases dropped in passing, with a nice鈥揳nd Empsonian鈥搈ixture of subtlety and a conversational style . . . this is a fine study that demonstrates how literary critics can be a pleasure to read and it earns its place in the 快色直播 series 'Writers on Writers'."鈥擯eter Swaab, Daily Telegraph
"On Empson [is] a small capstone to a distinguished career of commentary on poetry, novels, and film."鈥擶illiam H. Pritchard, Hudson Review
"Michael Wood's reflections on Empson celebrate his unusual genius, focusing on the wit and nuanced thinking of both his criticism and poetry. Wood is the best expositor of Empson's poetry to date, and this book is a fine exhibit of Wood's own brilliance as a critic."鈥擯aul H. Fry, author of William Empson: Prophet Against Sacrifice
"On Empson is a work of learning, reflection, grace, and wit. It will be the go-to volume for anyone who wants to get a sense of William Empson's career and why it matters. Michael Wood celebrates Empson as a writer and a thinker, deftly showing how his prose and poetry join in a single enterprise. Those coming new to the work will find this an invaluable guide; and already confirmed admirers will delight in Wood's subtle account of one of the great literary figures of the modern period."鈥擲eamus Perry, University of Oxford
"It's thrilling to experience Wood's mind at work on Empson's, and Empson's mind at work on Wood's. Wood's style is engaging and his readings of Empson's prose and poetry are clear, compelling, persuasive, and fresh. I enjoyed On Empson from first page to last."鈥擫isa Rodensky, Wellesley College
No known hazards or warnings
Accessibility Features
-
Inaccessible, or known limited accessibility
-
No known hazards or warnings
