What do artworks look like in extreme cases of collective experience? What signals do artists send when enemies are at the city walls and the rule of law breaks down, or when a tyrant suspends the law to attack from inside? Art in a State of Siege tells the story of three compelling images created in dangerous moments and the people who experienced them鈥攆rom Philip II of Spain to Carl Schmitt鈥攚hose panicked gaze turned artworks into omens.
Acclaimed art historian Joseph Koerner reaches back to the eve of iconoclasm and religious warfare to explore the most elusive painting ever painted. In Hieronymus Bosch鈥檚 Garden of Delights, enemies are everywhere: Jews and Ottomans at the gates, witches and heretics at home, sins overtaking the mind. Following a paper trail leading from Bosch鈥檚 time to World War II, Koerner considers a monumental self-portrait painted by Max Beckmann in 1927. Created when Germany was often governed by emergency decree, this image brazenly claimed to decide Europe鈥檚 future鈥攗ntil the Nazis deemed it to be a threat to the German people. For South African artist William Kentridge, Beckmann exemplified 鈥渁rt in a state of siege.鈥� Koerner shows how his work served as beacon during South Africa鈥檚 racialist apartheid rule and inspired Kentridge鈥檚 breakthrough animations of drawings being made, erased, and remade.
Spanning half a millennium but urgent today, Art in a State of Siege reveals how, in dire straits, art becomes the currency of last resort.
Awards and Recognition
- An Art Newspaper Art Book to Look Out For
- Shortlisted for the Apollo Book Awards, Apollo Magazine
- An Observer Best Art Book of the Year
- An Artforum Critics' Critics Pick of the Year
- A Five快色直播 Beautiful Book
"[A] brilliant book. . . . [with] ekphrastic tours de force. . . . [Koerner’s] investment delivers great insight."鈥擧al Foster, London Review of 快色直播
"Wise and informative, it is indeed a book for and about our times."鈥擥abriel Josipovici, Times Literary Supplement
"Captivating . . . Art in a State of Siege [is] leisurely, expansive and stunningly erudite."鈥擟hristoph Irmscher, The Art Newspaper
"Art in a State of Siege is a compulsive expression of unease, delivered magisterially and at an opportune moment. . . . Ever-stimulating and often provoking."鈥擩ulian Bell, New York Review of 快色直播
"[A] rich and enigmatic book. . . . Each separate part [of the book] is a satisfying study of the given artist and the relation of their works to states of emergency, exhibiting Koerner’s characteristic erudition and brilliance of formulation. . . . Fascinating discussions."鈥擪athryn Murphy, Apollo Magazine
"Deeply rewarding...[Art in a State of Siege] takes three artworks made in a time of social distress and political crisis—Hieronymus Bosch’s Garden of Delights (1500), Max Beckmann’s Self-Portrait in Tuxedo (1927) and William Kentridge’s Art in a State of Siege (1986)—to examine how artistic dissent is fomented under such conditions...With lively prose and rich references to aid his exegesis, Koerner shows how artists working in turbulent times often produce remarkable visual “omens.”"鈥�Observer
"Art in a State of Siege is destined to become one of the great classics of art history. Combining deep insights into the way artists work, patrons patronize, viewers respond, critics evaluate, and art historians investigate and theorize their own methods, it will be a model for generations to come.... One of the many wonders in this book is the sense that we are in the presence of a master teacher for whom all this is personal"鈥擶.J.T. Mitchell, Berlin Journal
"[A] gripping new book."鈥擭ancy Princenthal, Artforum
"Especially timely."鈥擭atalie Haddad, Hyperallergic
"[A] prophetic book."鈥擩.S. Marcus, The Art Newspaper
"Koerner ranges across centuries of artistic creation, provenance (the sequence of ownership) and interpretation. While paying particular attention to the troubled decades of modernism, ultimately he has his eye on the politically charged present. . . . This ambitious and provocative book is a good choice for readers with a taste for tangled cultural webs who are looking to engage with a brilliant mind."鈥擱ichard Selden, The Georgetowner
"[Art in a State of Siege is ] an engrossing ride. . . . [A] rewarding read."鈥�Kirkus Reviews
"Powerful in explaining why such creations exert such a hold on viewers everywhere, and through time."鈥�Harvard Magazine
"Given societal upheaval the world over, this reads more like manifesto than academic volume."鈥擱omas Viesulas, Five快色直播
"An engrossing read. . . . Highly recommended."鈥�Choice
"Art in a State of Siege . . . causes us to reconsider past art and reconceive how we should make our own."鈥擱obert Rubsam, Liberties
"Art in a State of Siege performs . . . dizzying feats of mise en abyme. . . . Moments of inception, conflict, and viewership are skillfully juggled."鈥擜ndrei Pop, Critical Inquiry
"An exceptional study that is as much intellectual history as it is art history. . . . erudite and imaginative. . . . [Art in a State of Siege includes] one of the most poignant passages by an art historian this reviewer has read. . . . Commentary such as Koerner’s is an ethical necessity."鈥擟hristopher J. Nygren, Burlington Magazine
“Devastating and necessary, Art in a State of Siege illuminates the violent, political, and ethical underpinnings of art history. Koerner, one of the most important historians writing today, recognizes the impossibility of separating the process of history from our individual and collective traumas under siege.”—Caroline Fowler, author of Slavery and the Invention of Dutch Art
“Art in a State of Siege may be Joseph Koerner’s most brilliant book to date, which is saying a great deal. It is also unarguably his most political, and in more than one respect his most fiercely personal. No brief commentary can begin to do justice to the complexity of Koerner’s thinking on every page, or indeed to the intellectual passion, which is the stamp of his considerable achievement.”—Michael Fried, author of The Moment of Caravaggio
“The enemy surrounds us. The walls that we thought were secure are quickly breached. Even as the death count begins to rise, we rage not against the faceless, anonymous foe but against our own neighbors whom we now regard as the most lethal enemies of all. For thousands of years and throughout the world, such has been the recurrent nightmare of human societies. In this startlingly original book, weaving together brilliant interpretations of three major early modern, modern, and contemporary artists, Joseph Koerner provides a new and critically important theory of the function of art in a beleaguered world. Art in a State of Siege is essential reading for our time.”—Stephen Greenblatt, author of The Swerve: How the World Became Modern
“In this masterful triptych, Joseph Koerner reads art history as an ever-changing and unresolved conundrum of power and powerlessness, enmity and humanism, siege and redemption. Rich in surprising twists and uncanny connections, Art in a State of Siege is a brilliantly enlightening book on the perils and promise of art.”—Daniel J眉tte, author of Transparency: The Material History of an Idea
“Art in a State of Siege reads like an alchemical manual containing the secret formulas, hidden in plain sight, out of which an ongoingly good art history can be written. Joseph Koerner’s book is a tour de force.”—Alexander Nemerov, author of The Forest: A Fable of America in the 1830s
