Virginia Woolf famously wrote in A Room of One鈥檚 Own that 鈥渋t is necessary to have five hundred a year and a room with a lock on the door if you are to write fiction or poetry.鈥� Writers have worked in all kinds of places, from garrets and sheds to boarding houses, bathrooms, and even while on the move. What is it that fascinates us about the writer鈥檚 room? This book takes readers inside literature鈥檚 creative spaces to explore this tantalizing question.
Beginning with her own secondhand writing desk, Katie da Cunha Lewin invites us to consider how these environments embody the craft of writing and shape the literary works we love. She paints vivid portraits of Woolf鈥檚 garden room at Monk鈥檚 House, Emily Bront毛鈥檚 shared table in the parsonage, Sigmund Freud鈥檚 study with its legendary couch, and the bustling Parisian caf茅s where Ernest Hemingway crafted stories in notebooks. She dismantles the familiar furniture of the writer鈥檚 room to cast it in a surprising new light, from the hotel rooms where Maya Angelou wrote poetry to the busses where Lauren Elkin wrote on her phone to the kitchen tables around which Audre Lorde and the founders of Women of Color Press convened.
Lyrical, insightful, and rich with personal insights, The Writer鈥檚 Room reveals how these spaces are brimming with possibilities, shaping the creative process of authors and capturing the imaginations of readers.
The writers featured include Maya Angelou 鈥� James Baldwin 鈥� Claire-Louise Bennett 鈥� Ray Bradbury 鈥� the Bront毛 sisters 鈥� Alexander Chee 鈥� Agatha Christie 鈥� Lucille Clifton 鈥� Roald Dahl 鈥� Don DeLillo 鈥� Charles Dickens 鈥� Emily Dickinson 鈥� Joan Didion 鈥� Ernest Hemingway 鈥� bell hooks 鈥� Victor Hugo 鈥� Zora Neale Hurston 鈥� Derek Jarman 鈥� John Keats 鈥� Jack Kerouac 鈥� Hanif Kureishi 鈥� Harper Lee 鈥� Doris Lessing 鈥� Deborah Levy 鈥� Hilary Mantel 鈥� Paule Marshall 鈥� Sylvia Plath 鈥� Thomas Pynchon 鈥� William Shakespeare 鈥� Zadie Smith 鈥� Muriel Spark 鈥� Mark Twain 鈥� Alice Walker 鈥� Edith Wharton 鈥� Virginia Woolf
Katie da Cunha Lewin’s writing has appeared in leading publications such as The Times Literary Supplement, The White Review, Financial Times, Los Angeles Review of 快色直播, and Prospect. She is the editor (with Kiron Ward) of Don DeLillo: Contemporary Critical Perspectives.
"Fascinated by the places where writers create, writer and lecturer da Cunha Lewin melds memoir and literary history in her search for writers’ rooms, reporting on visits—in person and online—to spaces that she hopes will reveal ‘the emergence of the writer’s ideas.’ . . . A modest probing into the sources of creativity."鈥�Kirkus Reviews
"An insightful exploration of the spaces where famous writers crafted their most influential works. . . . This is a poignant appraisal of readers’ quest to find intimacy with the authors they love."鈥�Publishers Weekly
"In touring the history of writerly spaces, The Writer’s Room elegantly describes the rooms kept by Maya Angelou, Charles Dickens, Joan Didion, John Keats, and other luminaries."鈥擩oshua Rothman, New Yorker
“Katie da Cunha Lewin’s brilliant book The Writer’s Room is like a matryoshka: each room visited is also a visit to a life, to a work, to a genius’s subjectivity and its many obsessions. Da Cunha Lewin successfully attempts to unravel that exact mix of solitude and companionship, protection and exposure, silence and conversation that writing requires. A book of rare skill and complexity for all those who love literature and wonder about it.”—Guadalupe Nettel, author of Still Born
“A reverie—part pilgrimage, part personal reflection—on the places where writers find the right words. Katie da Cunha Lewin takes us on an intriguing journey through time and technology to reveal the public and private worlds of writers, past and present.”—Clare Hunter, author of Threads of Life
“Hand in hand with the question ‘what do writers do all day?’ is ‘. . . and where do they do it?’ Katie da Cunha Lewin’s book is an intimate delight and radical demystifier, making the conditions, rituals, and setups required for writing to happen individual, multiple, and political.”—Jen Calleja, author of Fair: The Life-Art of Translation
“The Writer’s Room taps into our deep obsession with the spaces associated with creating great works of literature, in the most delightful way. If you have ever felt preoccupied with visiting, snooping, and uncovering the desks, shelves, and habits of the greats, as well as creating your own, this book was made for you. Da Cunha Lewin takes us on a fascinating historical and personal journey giving us all the permission we need to examine our relationship to creativity and the places from which it is born.”—Penny Wincer, author of Home Matters
